汉唐时期,几乎有钱人家都使用屏风。其形式也较前代有所增加,由原来的独扇屏发展为多扇屏拼合的曲屏,可叠,可开合,汉代以前屏风多为木板上漆,加以彩绘,自从造纸术发明以来,多为纸糊。隔断:隔断是指专门作为分隔室内空间的立面,应用更加灵活,如隔墙、隔断、活动展板、活动屏风、移动隔断、移动屏风、移动隔音墙等,源于日本技术。屏风的种类有地屏风、床上屏风、梳头屏风、灯屏风等;而若以质地分则更多,如玉屏风、雕镂屏风、琉璃屏风、云母屏风、绨素屏风、书画屏风等等,不一而足。明代以后出现了挂屏,已超出了屏风的实用性,成为纯粹的装饰品。可分为座屏风和围屏。座屏风:由插屏和底座两部分组成。插屏可装可卸,用硬木作边框,中间加屏芯。
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在去伪存真、去粗取精中去怀念与吸收那个时代文化与营养,身居其间吟咏几首古诗词,便会找到一些脱俗的感觉。规格大小一般为20×20×4mm,背面略凹,四周侧边呈斜面,有利于与基面粘结牢固。传统家具2、天然与淳朴:我国古代家居装饰,在用材上讲究的是优良木质;在装饰工艺上,其内容均取自大自然的万物,如花鸟鱼虫、飞禽走兽、山水树木、天上1人间,将丰富的想象与美好的寓意贯穿其中。如清代家居常出现蝙蝠、梅花1鹿、怪兽与喜鹊,旨在取其谐音。而在对人物的刻画上,又常常是个个面带笑容,反映出中华民族百折不挠、乐观向上的一种精神风貌。
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